Six Tools, One DSP Soul
Pick the tool for the job — a full compressor suite, a surgical anti-masking processor that lets two tracks share the spectrum, a phantom-note engine that answers your melody with notes nobody played, a swarm that makes a whole session of tracks get out of each other's way, a saturation machine shared by every track that runs through it, or a free groove-transfer utility that moves one track's feel onto another.
4 compressors, 7 hardware-calibrated emulation types (Tube, Optical, VCA, FET, Bus, Digital, DBR). Multiband up to 6 bands, inter-plugin SHM sidechain, real-time spectral analysis.
A multiband dynamics processor whose sidechain is the other track. Set your bands, and inside each one only the frequencies that actually clash come down — bin by bin, both directions. Pair from a dropdown, no sidechain bus.
A phantom-note engine. It tracks the pitch of your audio and answers with notes nobody played — a harmonic cloud, rhythmic echoes and a spectral wash, blended on an XY pad and shared across instances. From ethereal shimmer to cinematic drone.
The mix that mixes itself. One instance per track, all on the same Link Slot, and your tracks negotiate their own space while the music plays — separating, aligning, gluing and spreading. Nobody in charge, and a live map of what it's doing.
Every track, one machine. A saturation plugin where all your instances share a single analog machine: one rail that sags under the total load, one clock they all drift on, and an Anchor for the track that must not duck — but must make everything else duck.
Steal one track's groove and stamp it onto another. An envelope follower extracts the rhythmic feel of a source track and applies it to a target — kick-pumps a bass, makes a pad breathe — with no MIDI and no sidechain routing. Completely free.